For instance, Troels Folmann (composer and producer of this VST) forced violinists to play the same trill for 45 minutes instead of playing a shorter trill and looping it.Įach articulation has been captured in all of its variations, like the bowing variation that can occur between two successive spiccatos. The recording quality and the sheer amount of samples are impressive. All the recordings are crisply presented, with little unwanted reverberation. The Adagio Violin from 8Dio effectively captures the violin with detail and depth. The Joshua Bell Violin lives up to the virtuoso violinist’s name, and it will be useful for those who need a dynamic solo performance. Together, all of these controls easily prevent that unwanted fake MIDI sound, which is the golden standard for these instruments. The multi-stop selection allows you to choose to hit at either one or two, and it also changes the speed from which they hop between these “stops.” “Stops” are essentially chords, but because the violin has a curved bowing area, the four chord notes can only be played one or two at a time. This is a way to realistically emulate double, triple, and quadruple stops. The most interesting control, not seen on other violin VSTs to date, is the multi-stop attack selection. Other VSTs may achieve similar effects by mapping LFOs separately, but this method wouldn’t compare to the speed and resultant sound of the Joshua Bell VST. While many VSTs attempt auto humanization, few do so for so many parameters, and this is what accounts for the VST’s artistry. Turning down the humanization provides a tighter, more quantized performance. It provides auto humanization along with several continuous inputs including bow variance, attack pitch instability, speed pitch instability, and interval pitch instability. The most interesting feature of the VST is the Intuition page. While this certainly seems possible, a truly Bell-level performance will require a great deal of practice first. With 12 different legato types, this VST promises to capture the artistry of Bell’s performance. For most pop producers, this violin would be overkill. Buying this VST for anything less would be a waste of its abilities and your money. This violin VST is meant specifically for people writing violin solos with varying rhythms, quick runs and arpeggios, and a strong dynamic range.
Agitato Grandiose Violin Ensemble by 8DioĦ Of The Best Violin VST Libraries & Plugins 1.Realistic performances almost never land or stay exactly on pitch.įor these reasons, legato realism is especially difficult, and good violin VSTs are rare.īut despite all this, we’ve still managed to find the best violin VSTs for you! They are: Like the others in the string family, it provides a continuous length of pitches (unlike the piano, for instance) and does so on polyphonic lines (unlike the voice). The tone of a violin is a complex interaction between parameters including bow speed, bow angle, bow position, vibrato speed, and vibrato depth, to name a few. While they feature prominently as solos in orchestral music, in pop they can add an achingly romantic counterpoint to vocal melodies-or even extra piquancy, as in Ariana Grande’s Positions.īut emulating the violin has always proven difficult. Violins are an essential part of many a producer’s toolkit. Here are the best violin VST plugins and Kontakt instruments!Ĭhoosing the Best Violin VSTs Can Be Tough.Disclosure: We may receive commissions when you click our links and make purchases.
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